![]() ![]() Her dissertation addresses the legacy of women photographers in the Soviet Union between the 1920s and 1980s. She studies modern and contemporary art and the history and theory of photography with a specialization in Eastern European, Russian, and Soviet visual culture. candidate in Art History at Rutgers University. Zervigón has published articles and reviews in New German Critique, Visual Resources, October, History of Photography, Études Photographiques, and Rundbrief Fotografie, and he contributed to the catalogs Avant-Art in Everyday Life (Art Institute of Chicago/Yale University Press, 2011) and Faking It: Manipulated Photography before Photoshop (Metropolitan Museum, NYC, 2013). He received a Paul Mellon Senior Fellowship at the Center for Advanced Study in the Visual Arts to support this project. His current book project, The Arbeiter-Illustrierte Zeitung, a History of Germany’s Other Avant-Garde, focuses on the extraordinary pictorial innovations of this radical left-wing periodical. His second book, Photography and Germany, explores the medium’s history in establishing visions of the country and constructions of German identity. His research generally focuses upon moments in history when lens-based media prove inadequate to their presumed task of representing the visual. Zervigón's first book, John Heartfield and the Agitated Image (University of Chicago Press, 2012) examines the Weimar-era work of this German artist and the crisis of photographic representation generating his highly political photomontage. Her work offers us a world in which the ordinary can give way to the transcendent, if we will allow it to." He also likened her themes to Elizabeth Bishop's ("Like Bishop, McBride sees animals as fellow sufferers along with humanity here on earth.Andrés Mario Zervigón is Professor of the History of Photography at Rutgers,The State University of New Jersey. Linda Gregerson's review of McBride's 1983 collection The Going Under of the Evening Land, wrote that "At their best, McBride's negotiations between expectation and creative license achieve an exquisite balance." ĭavid Gruber, reviewing her compendium Dog Star Delicatessen, described her "ongoing, underlying resistance to the constraints of normative lyrical language" and said "I believe there is a great beauty and humanity at work in McBride’s poetry. ![]() Her poem "All Hallows' Eve" was included in the Best American Poetry 1992, Edited by Charles Simic. McBride's poems have appeared in publications including The New Yorker, Poetry Field, Seneca Review, Antioch Review, The Nation, Kayak, Virginia Quarterly Review, Ploughshares, and the Georgia Review. And unlike traditionally lyrical poetry, where we might expect mere pathos - or, worse, condescension - her poems allow a strangeness and value to working-class experience. This is a poetry that is broadly democratic in a way that Emerson would have liked. Much of her work draws on the semi-rural areas of New Hampshire and Maine where she lives, and includes elements from working class life: beat-up cars, harmonicas, trash, barbecues, and many, many dogs. For example, to teach students to listen to sound in a different way, McBride has asked students to design a musical instrument and accompany a poem with it instruments have included crystal glasses filled with water and automobile engines. She encourages her students to embrace their own creativity, playfulness, and daydreaming, and her classes frequently encourage combining poetry with other kinds of art. Īfter this, McBride began teaching in the Master of Fine Arts writing program at the University of New Hampshire and was also teaching undergraduate classes. McBride has taught at Wheaton College, Berwick Academy, Harvard University, and Princeton University. She holds a Bachelor's in Arts degree from Mills College in California. McBride was born in Pittsburgh, Pennsylvania. She is the author of six books of poetry. She has held fellowships at the Radcliffe Institute for Advanced Study at Harvard University, Princeton University, and the McDowell Colony, as well as being a recipient of two National Endowment for the Arts grants. Mekeel McBride (born 1950) is a poet and professor of writing at the University of New Hampshire. ![]()
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